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Sorry for the vague title--I don't want the title to be a spoiler.

I've seen the movie three times, and the last two times I looked specifically for clues to this question, but found none.

The final scene in Inception shows

Cobb's top spinning, as he goes off to be reunited with his children. The top continues to spin, then the movie ends, without telling us if the top topples--and therefore revealing whether he's in the "real world" or still in a dream. Do we know if he was in a dream at the end of the movie?

I'm assuming the answer is that we simply cannot know. But did I miss anything? Were there clues that I missed?

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Personally, my interpretation was: He is in the real world which has now become so perfect - because of himself crossing over his fears and mistakes, and he is finally able to meet his kids that the top spins as if it's all a dream. – user221287 Apr 14 '12 at 8:48

6 Answers

up vote 26 down vote accepted

No, you didn't miss anything. Nolan intentionally left it ambiguous, but not for the reasons that endings in Hollywood are normally left ambiguous.

From an interview with Nolan on Screenrant, we get the following insight:

“There can’t be anything in the film that tells you one way or another because then the ambiguity at the end of the film would just be a mistake … It would represent a failure of the film to communicate something. But it’s not a mistake. I put that cut there at the end, imposing an ambiguity from outside the film. That always felt the right ending to me — it always felt like the appropriate ‘kick’ to me….The real point of the scene — and this is what I tell people — is that Cobb isn’t looking at the top. He’s looking at his kids. He’s left it behind. That’s the emotional significance of the thing.”

To me, it makes sense in that perspective. The entire article is really good, and recommended for further reading.

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No you didn't miss anything. This was deliberately ambiguous, leaving the question open, and the possibility of Inception 2.

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And you gotta admit, if you actually knew the answer to that question, the movie wouldn't be as intriguing. – BBlake Nov 12 '11 at 12:38
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Yes - and it left you in the same position of others in the movie, of not knowing. And whether you really care. – Schroedingers Cat Nov 12 '11 at 13:51
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@BBlake, I'm with Orson Scott Card on this one. That final scene is "not art, that's a vulgar prank. A violation of trust." And I don't see why the question needs to be left open to allow an Inception 2. – cjm Nov 12 '11 at 19:36
@cjm: I was glad to read that. I hadn't heard about Card's comment. I also felt it was poorly done. There are other ways to leave an ending up in the air and I felt it was a lazy way to do that (by just cutting the shot) at best, and crude or worse if viewed in another way. I was frustrated with both "The Matrix" and "Inception," since both felt like they were trying to be deeper and more profound than either one was. Want a meaningful film? See "Citizen Kane," or Cocteau's "Beauty and the Best," but don't see either of these. They're not as deep as the producers think they are. – Tango Nov 12 '11 at 21:40
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Sometimes ambiguous is good and sometimes not. But, that being said, if they created an Inception 2, it would ruin anything that was good about the first one. Leave it alone and walk away. – BBlake Nov 12 '11 at 23:46
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The movie tries to convince you that the top is Cobb's totem. But it's not. Here is a really really very spoilery deep analysis.

When he's in a dream, he wears a ring; when he is in real life there is no ring. So easy? Then why did Cobb insist on using the top-- something that Mal had touched and hence defeats the purpose of a totem? Why not just look at his ring?

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Wow! Someone (not you -- the article's author) has a LOT of extra time on their hands! There is such a thing as over-analyzing. – Tango Nov 12 '11 at 17:54
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Very interesting observation... now I want to watch it again! – Flimzy Nov 12 '11 at 18:33
"He incepted[sic] himself." – Nick T Nov 14 '11 at 23:40
I actually did watch it again after reading about this. Imagine my dissapointment when I reached the end and he kept his hand of frame through the whole "awake" part... – Aifos Nov 20 '12 at 22:40
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@Charlie it is simpler than that. Cobbs totem appears not to exist in the real world at all. Would make it very hard for someone to interact with it. – DampeS8N Dec 3 '12 at 18:23
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As others have commented, the ambiguity has been intentionally put there, but Christopher Nolan knows the answer as per his Wired interview:

Wired: (snip) I know that you’re not going to tell me, but I would have guessed that really, because the audience fills in the gaps, you yourself would say, “I don’t have an answer.”
Nolan: Oh no, I’ve got an answer.
Wired: You do?!
Nolan: Oh yeah. I’ve always believed that if you make a film with ambiguity, it needs to be based on a sincere interpretation. If it’s not, then it will contradict itself, or it will be somehow insubstantial and end up making the audience feel cheated. I think the only way to make ambiguity satisfying is to base it on a very solid point of view of what you think is going on, and then allow the ambiguity to come from the inability of the character to know, and the alignment of the audience with that character.

So if you could get Nolan drunk enough, you might be able to find out!

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I think the ambiguity is even more complex.

Obviously he's either in a dream or in the real world. The extra ambiguity comes in to play when trying to figure out which dream he might be in. The obvious one is that he never left limbo with Saito, and he just created his happy ending. The less obvious is that he did return to the "real" world, the one in which his wife killed herself, but that that she was right and it too was a dream.

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I don't think it was ambiguous. It reasonably seems everything wound up back in real life--at least in the same plane as in the beginning (after the double-wakeup). Still I was pleased and entertained about the untoppled spinning totem since it seemed fitting. Kind of like in that killer bat movie when at the end after defeat the mother bat arises out of the dirt only to get run over by an incidental jeep as sort of a statement from Hollywood saying "yeah, we know this movie was lame, don't worry there's not gonna be a part 2."

Not that Inception was lame or anything like that. I though is was very good, and would look forward to a sequel.

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