Timeline for Is there a generally accepted critical and/or feminist response to Heinlein's work?
Current License: CC BY-SA 3.0
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Jan 25, 2018 at 14:46 | comment | added | Rand al'Thor♦ | <mod removes comments> @JonKiparsky and morewry: Be Nice. Constructive discussion is welcome, but personal attacks will not be tolerated here. | |
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Oct 20, 2017 at 18:22 | vote | accept | Adele- Nexus of Potlucks | ||
Oct 12, 2017 at 19:04 | comment | added | Jon Kiparsky | "looking for the same information." The OP was looking for a critique, which is not information. | |
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Dec 31, 2015 at 4:33 | comment | added | morewry | @dunraven One of the other answers mentions the context of his time and the constraints of commercial success with some interesting points. These works are pretty freaking old, and that obviously affects the author's subjectivity (though I think it's still responsible, fair, and fun to analyze from a modern perspective). The idea that Heinlein-the-individual might have been more challenging, but couldn't be if he wanted to sell is interesting--and possibly there's some truth in it, but shrug possibly not, too. | |
Dec 31, 2015 at 4:27 | comment | added | morewry | @Martha Oh, maybe because I posted some of it in the comments on another answer. But I had more to say, so I made a longer post out of it. | |
Dec 31, 2015 at 4:24 | comment | added | dunraven | Thanks for this answer - it's thoughtful, balanced, but most of all doesn't let RAH off the hook for the problematic aspects of his work without discounting the value they do hold. And also speaks to my experience reading Stranger in a Strange Land sometime in the 2000s and not understanding why it couldn't take the next easy step into actual inclusion and equality, especially for LGBTQIA+ folks. | |
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Dec 31, 2015 at 3:59 | history | answered | morewry | CC BY-SA 3.0 |