Timeline for Did Heinlein intend to portray men and women as equals?
Current License: CC BY-SA 4.0
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Sep 21, 2020 at 14:24 | history | edited | SQB | CC BY-SA 4.0 |
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Jan 26, 2018 at 8:35 | comment | added | Broklynite | @morewry absolutely- I could readily discuss the archetypal male protagonists he uses, but it's not really the point of the question. But thank you, I really tried to keep it balanced. | |
Jan 26, 2018 at 5:39 | comment | added | morewry | "If This Goes On--" was always one of my favorites. Nice balanced take! There IS a sameness about many of Heinlein's feminine characters--but it's also true of his masculine characters. I think maybe his style was more "tell" than "show," so even though Friday and Janet are different, they end up having a similar feel. Even given that (and character types he repeated), he didn't show any identity only one way (that I recall). | |
Jan 25, 2018 at 15:38 | history | edited | Broklynite | CC BY-SA 3.0 |
added 321 characters in body; added 108 characters in body
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Jan 25, 2018 at 15:32 | history | edited | Broklynite | CC BY-SA 3.0 |
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Jan 25, 2018 at 15:30 | comment | added | Broklynite | @Lorendiac thank you, my memory for names is kind of meh. The woman he marries is shown to be far, far more intelligent, wise, sensible, knowledgeable, than either Sister Judith or John Lyle for that matter. | |
Jan 25, 2018 at 11:46 | comment | added | Lorendiac | The naive young woman whom John Lyle first fell in love with was called "Sister Judith." (But he ultimately married a much less naive woman who had helped him rescue Judith after she realized the Prophet lusted for her body.) | |
Jan 25, 2018 at 10:54 | history | answered | Broklynite | CC BY-SA 3.0 |