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The science behind superheroes might shed some light on this topic. Just to wet your appetite and encourage reading that article here are some quotes:

We've all heard it before: a scientist, working in a secret laboratory buried deep in the heart of an extinct volcano, suffers an unfortunate mishap and is doused in radioactive chemicals/gamma rays/mutagenic DNA. Next thing you know, he is transformed into a crime-fighting guardian of justice.

 

Oddly, the physical appearance of these accident-prone super-brains is always the polar opposite of a stereotypical scientist - extraordinarily buffed and good looking even before their transformations - leading to malicious speculation about why these fit, handsome, intelligent people aren't out clubbing with all the other chick magnets.

(....)

The first superhero stories, led by Superman himself in Amazing Stories #1, published in 1938, were originally an offshoot of the pulp-fiction magazines and comic strips popular throughout the 1930s. These were stories of adventure, heroism, strange worlds and magical powers - whether it was Flash Gordon battling Ming the Merciless on the planet Mungo, or Conan the Barbarian wrestling dark demons in forgotten temples.

 

The 1930s was a time when the Great Depression gripped the globe, and this had a particularly poignant effect on the people of the United States. The country that had promised the great American dream was now a land of unemployment, poverty, suffering and a failing free-market economy. People needed heroes, and newspaper comic strips and pulp-fiction magazines provided them in spades.

The science behind superheroes might shed some light on this topic. Just to wet your appetite and encourage reading that article here are some quotes:

We've all heard it before: a scientist, working in a secret laboratory buried deep in the heart of an extinct volcano, suffers an unfortunate mishap and is doused in radioactive chemicals/gamma rays/mutagenic DNA. Next thing you know, he is transformed into a crime-fighting guardian of justice.

 

Oddly, the physical appearance of these accident-prone super-brains is always the polar opposite of a stereotypical scientist - extraordinarily buffed and good looking even before their transformations - leading to malicious speculation about why these fit, handsome, intelligent people aren't out clubbing with all the other chick magnets.

(....)

The first superhero stories, led by Superman himself in Amazing Stories #1, published in 1938, were originally an offshoot of the pulp-fiction magazines and comic strips popular throughout the 1930s. These were stories of adventure, heroism, strange worlds and magical powers - whether it was Flash Gordon battling Ming the Merciless on the planet Mungo, or Conan the Barbarian wrestling dark demons in forgotten temples.

 

The 1930s was a time when the Great Depression gripped the globe, and this had a particularly poignant effect on the people of the United States. The country that had promised the great American dream was now a land of unemployment, poverty, suffering and a failing free-market economy. People needed heroes, and newspaper comic strips and pulp-fiction magazines provided them in spades.

The science behind superheroes might shed some light on this topic. Just to wet your appetite and encourage reading that article here are some quotes:

We've all heard it before: a scientist, working in a secret laboratory buried deep in the heart of an extinct volcano, suffers an unfortunate mishap and is doused in radioactive chemicals/gamma rays/mutagenic DNA. Next thing you know, he is transformed into a crime-fighting guardian of justice.

Oddly, the physical appearance of these accident-prone super-brains is always the polar opposite of a stereotypical scientist - extraordinarily buffed and good looking even before their transformations - leading to malicious speculation about why these fit, handsome, intelligent people aren't out clubbing with all the other chick magnets.

(....)

The first superhero stories, led by Superman himself in Amazing Stories #1, published in 1938, were originally an offshoot of the pulp-fiction magazines and comic strips popular throughout the 1930s. These were stories of adventure, heroism, strange worlds and magical powers - whether it was Flash Gordon battling Ming the Merciless on the planet Mungo, or Conan the Barbarian wrestling dark demons in forgotten temples.

The 1930s was a time when the Great Depression gripped the globe, and this had a particularly poignant effect on the people of the United States. The country that had promised the great American dream was now a land of unemployment, poverty, suffering and a failing free-market economy. People needed heroes, and newspaper comic strips and pulp-fiction magazines provided them in spades.

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The science behind superheroes might shed some light on this topic. Just to wet your appetite and encourage reading that article here are some quotes:

We've all heard it before: a scientist, working in a secret laboratory buried deep in the heart of an extinct volcano, suffers an unfortunate mishap and is doused in radioactive chemicals/gamma rays/mutagenic DNA. Next thing you know, he is transformed into a crime-fighting guardian of justice.

Oddly, the physical appearance of these accident-prone super-brains is always the polar opposite of a stereotypical scientist - extraordinarily buffed and good looking even before their transformations - leading to malicious speculation about why these fit, handsome, intelligent people aren't out clubbing with all the other chick magnets.

(....)

The first superhero stories, led by Superman himself in Amazing Stories #1, published in 1938, were originally an offshoot of the pulp-fiction magazines and comic strips popular throughout the 1930s. These were stories of adventure, heroism, strange worlds and magical powers - whether it was Flash Gordon battling Ming the Merciless on the planet Mungo, or Conan the Barbarian wrestling dark demons in forgotten temples.

The 1930s was a time when the Great Depression gripped the globe, and this had a particularly poignant effect on the people of the United States. The country that had promised the great American dream was now a land of unemployment, poverty, suffering and a failing free-market economy. People needed heroes, and newspaper comic strips and pulp-fiction magazines provided them in spades.