This was supposed to have been the third volume of the late great Harlan Ellison's anthologies of experimental speculative fiction, following Dangerous Visions and Again Dangerous Visions. Its publication has been delayed for decades and it has achieved something of a legendary status. Does anyone know what its current status is? Does it still exist? There is a lot of material about it on the web, but nothing definite that I could find.
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J. Michael Straczynsky the executor of Ellison's estate is trying to publish a Dangerous Visions 3 and has details at patreon.com/posts/43848905– lucasbachmannCommented Dec 6, 2020 at 6:02
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Now slated for publication in 2023: thewertzone.blogspot.com/2022/05/…– SpencerCommented Sep 12, 2022 at 16:07
2 Answers
A book by that name was published last month by Ellison's executor J. Michael Straczynski. It contains a small subset of the original stories collected by Ellison with some additional ones.
The wikipedia article details the stories included and the ones that were planned for the book but that have already been published elsewhere.
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Given the discussion in the previous answer about Ellison's introductions being a key part of the original collections, I'm curious: do any such introductions appear in this volume?– IMSoPCommented Nov 9 at 23:12
Wikipedia has this to say, which agrees with my understanding.
The Last Dangerous Visions is an unpublished sequel to the science fiction short story anthologies Dangerous Visions and Again, Dangerous Visions, published in 1967 and 1972 respectively. Like the first two, it was scheduled to be edited by American author Harlan Ellison, with introductions provided by him.
The projected third collection was started but, controversially, has yet to be finished. It has become something of a legend in science fiction as the genre's most famous unpublished book. [bold emphasis mine]
The scuttlebutt among fans was that the project simply overwhelmed Ellison. The first two Dangerous Visions anthologies were very popular, and the were a great many writers who wanted to participate in the Last anthology. The number of quality submissions became too large for a single volume, and Ellison was supposedly unwilling to prune out works that he thought were of high quality. Since one of the unique features of the Dangerous Visions series was that each short story got a special introduction written by Ellison in his capacity as editor and critic, the workload became more than he could deal with, and he eventually shelved the project.
In the meantime, a fair number of the stories were eventually published elsewhere. (Another feature of the Dangerous Visions series was that it only featured completely new stories.) Authors* who wanted the work they had submitted to get printed withdrew their stories and submitted them elsewhere. Since that often meant that the best work was being withdrawn from the project, the motivation for Ellison to publish the remainder must have fallen each time this happened.
So the result is this will probably never be published. Ellison is deceased, and without his introductions for the stories, the project would not really be Last Dangerous Visions. Those authors who wanted their work to get published anyway have probably seen to it that those stories were printed elsewhere. Up until Ellison’s death, some of them might have still been holding out hope for the project (Brian Wilson of The Beach Boys finished the SMiLE album after a thirty-seven year delay, although the final result was disappointing), but that’s not possible.
*Or their literary executors, as plenty of the people who submitted stories are deceased. For example, one unpublished story by Cordwainer Smith, “Himself in Anachron,” was submitted to Last Dangerous Visions after the author’s death. It was eventually published when Smith’s short stories and novellas were all finally collected in The Rediscovery of Mankind.
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1Actually, the thing that overwhelmed Harlan was probably the introductions he was writing for the stories. In DV and ADV, most people found his introduction to be the high point of the book. (The stories were often good, but few of them are memorable on their own, but mostly as being so-and-so's contribution to DV.) People who knew Harlan and discussed his work describe the introductions for LDV as having grown even beyond those of the first two volumes. Harlan was never good at finishing projects and this one overwhelmed him. (Though having fewer stories would doubtless have helped.) Commented Aug 4, 2020 at 13:53
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2Obligatory link to The Last Deadloss Visions web.archive.org/web/20000902203835/http://sf.www.lysator.liu.se/… Commented Aug 4, 2020 at 14:30
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Thanks for the answers but I'm still a little curious. A book of introductions without stories would still be worth publishing. I skipped many of the stories in Again Dangerous Visions—especially if they had week beginnings—and just read the intros. CWalach, I'm with you. Do any of the intros still exist? If so, who holds the rights to them? Is anyone trying to get them published? Commented Aug 5, 2020 at 4:08