This is Ian Watson's "Slow Birds" (1983). It was first published in The Magazine of Fantasy & Science Fiction and variously anthologized.
Skating races on plains of glass:
By late morning, after the umpires had been out on the glass plain setting red flags around the circuit, cumulous clouds began to fill a previously blue sky, promising ideal conditions for the afternoon's sport. No rain; so that the glass wouldn't be an inch deep in water as last year at Atherton. No dazzling glare to blind the spectators, as the year before that at Buckby. And a breeze verging on brisk without ever becoming fierce: perfect to speed the competitors' sails along without lifting people off their feet and tumbling them, as four years previously at Edgewood when a couple of broken ankles and numerous bruises had been sustained.
After the contest there would be a pig roast; or rather the succulent fruits thereof, for the pig had been turning slowly on its spit these past thirty-six hours. And there would be kegs of Old Codger Ale to be cracked. But right now Jason Babbidge's mind was mainly occupied, with checking out his glass-skates and his fine crocus-yellow hand-sail.
The appearance of the titular "slow birds:"
They were called slow birds because they flew through the air — at the stately pace of three feet per minute.
They looked a little like birds, too, though only a little. Their tubular metal bodies were rounded at the head and tapering to a finned point at the tail, with two stubby wings midway. Yet these wings could hardly have anything to do with suspending their bulk in the air; the girth of a bird was that of a horse, and its length twice that of a man lying full length. Perhaps those wings controlled orientation or trim.
They blow up a lot more often than once in an million years though:
Not always, though. Half a dozen times a year, within the confines of this particular island country, a slow bird would reach its journey's end.
It would destroy itself, and all the terrain around it for a radius of two and a half miles, fusing the landscape instantly into a sheet of glass. A flat, circular sheet of glass. A polarised, limited zone of annihilation. Scant yards beyond its rim a person might escape unharmed, only being deafened and dazzled temporarily.
As I noted it's been in several anthologies notably Dozois' Year's Best Science Fiction, First Annual Collection and Carr's The Best Science Fiction of the Year #13 (both 1984) as well as the collection *Slow Birds and Other Stories (1985).
You can read it in its original publication at the Internet Archive.