18

There is an very common occurring theme in Asimov's work: an obsessive need not to touch people considered unclean, sometimes justified sometimes not.

Examples:

1) The Caves of Steel (Robots series):

The Spacers (former Earth colonists living in Utopian conditions throughout Space) have long eliminated all disease in their worlds, but their immune systems decayed as a result (the common cold can kill them), so they are downright paranoid when dealing with normal Earth people (who live in entirely different conditions)—forcing them to take thorough showers and burning all materials they come in contact with.

Source: TV Tropes: Terrified of Germs

2) in The Naked Sun Solarians go even further by forbidding meeting in perso and touching between any two people Spacers or not:

By the time Elijah Baley visited Solaria around 5022 AD, its inhabitants had evolved an isolationist culture in which its citizens never had to meet, save for sexual contact for reproductive purposes. All other contact was accomplished by sophisticated telepresence "viewing" systems, with most Solarians exhibiting a strong phobia towards actual contact, or even being in the same room as another human. All work was done by robots.

Source (Wikipedia: http://en.wikipedia.org/wiki/Solaria)

3) In Pebble in the Sky future descendants of the Settlers are again looking down upon Earthers, this time because Earth is irradiated and they are afraid (based sometimes on the facts, other times on superstition). I can't find the exact quote where imperials avoided touching them, but they certainly were disgusted by the people of Earth whether they wanted to admit it or not.

4) A somewhat smaller example in Prelude to Foundation. The people of Mycogen, a sector in the planet-wide city of Trantor, have a lot of unusual taboos and customs, one of which involves touching:

He manages this by convincing Raindrop Forty-three to show him the prized Mycogenian microfarms, a prized source of food for the aristocracy and Mycogenians alike, then asking her to show her their religious historical book. Raindrop Forty-three accepts on the condition that Hari allows her to touch his hair; (hair being expressively forbidden in Mycogenian society).

Source: Wikipedia: Prelude to Foundation

While all of these examples may be justified with a real lack of immunity in (1) and (2) as well as social circumstances in (2), radiation and mutated diseases in (3), then religious fervor in (4), I really noticed the pattern only when I saw the following example:

5) In The End of Eternity all classes of Eternals despise Technicians (the group to which the main character belongs). They all have to cooperate with them, but not to be nice about it as well. If a Technician is passing through a hallway everyone would look away, etc. The important thing in the context of this question is that in one scene an Eternal was passing by the Technician being very careful not to even touch him. In this example, we are talking merely about professional differences, maybe rivalry and disapproval of what he does. There is no sane justification I can think of.

As presented in the examples, this really seems like quite a recurring theme in Asimov's work. Even more so than what Space Elevator is to Arthur Clarke. Now that I think about it all Asimov's stories settings have always seemed somewhat simplified and sterile.

So, what could have been the reason? Was he possibly afraid of germs or perhaps of touch? It is already confirmed that his agoraphobia was an inspiration for future Earth and Trantor. Did he think that the industrial progress would inevitably lead to that kind of lifestyle? Perhaps he was just trying to depict modern world in future, most notably racism?

Any resources, interviews, mentions, well backed opinions... anything?

  • 1
    I don't think this was an Azimov-specific hangup. Unless he also directed/wrote scenario for Demolition Man :) It is, as you can guess since you perused TVTropes, a very common trope, arising out of scientific/cultural progression of how humans dealt with hygiene and germs. (our ancestors ate from common plates and didn't wash. You (presumably) wouldn't shake hands with someone who just used the restroom and didn't wash hands. Your descendants might avoid germ-risky physical contact alltogether. Another unreleted influence of this trope may be Japanese culture. – DVK-on-Ahch-To Mar 16 '13 at 14:16
  • This question makes me think of the song "Germfree Adolescent" by the X-Ray Specs. In the time between the second word war and the hippies, cleanliness was generally considered a progress in hygiene. Advertisements for detergents flourished at that time, and officials and medics recommended the use of disinfectants in private households. Only recently has it been found that too much cleanliness might induce allergies by reducing the immune defense. Asimov, I would guess, was simply a child of his time. But it remains open to debate wether he endorsed or caricatured this behavior. – user30564 Mar 16 '13 at 16:18
  • 3
    Note that 1), 2), and 4) are all about Spacers (or their cultural descendants), so there aren't as many distinct examples here as it looks like... – Micah Mar 16 '13 at 16:25
  • @all: I agree with the comments regarding examples 1 to 4, but it is The End of Eternity where it seemed to me that he was really pushing it. – Goran Jovic Mar 20 '13 at 15:35
  • Considering when these stories were written, several (though by no means all) of those examples seem to me to be to have been intended as metaphors for racism and/or anti-semitism. – Harry Johnston Dec 2 '16 at 22:49
15

I was originally planning to answer based upon Asimov's well-known claustrophilia -- Asimov liked small, enclosed spaces. While I can't immediately produce a quotation, I remember reading an interview in which he was asked if he really thought people would want to live the way they're depicted as living in Caves of Steel and he basically responded, "Well, I would!"

But Asimov was also fairly social -- he lectured, attended conventions, and engaged in various organizations. There's no indication that he himself avoided human contact, much.

If anything, in fact, he seems to regard a desire to avoid contact as a serious problem for a culture that adopts it. Solaria--the most extreme of his "no-touchy!" cultures--is depicted as ultimately doomed in large part because of its extreme views on human contact. Spacers who avoid shaking hands with Elijah Baley are usually depicted as snooty, even after it's made clear that they're really doing it because their relatively germ-free environments have made their immune systems weak.

So, while I'm not certain there's any solid statement on the record as to why Asimov visited this theme so often, I think we can safely surmise that he was interested in exploring the tension between the "rural" mindset of wide-open spaces and comparatively rare human contact; and the "urban" mindset of being constantly surrounded by large numbers of other people whom you are very likely to be unable to avoid interacting with and often physically jostling, even when not actively seeking out contact. And further, I think it can be argued that Asimov's own preference was clearly for the "urban".

  • His SF Detective, Wendell Urth, also was reclusive and did not travel. – Oldcat Jun 26 '14 at 22:45
  • @Oldcat That may very well be rooted in his own personality. Asimov wasn't too fond of traveling himself and rarely left Brooklyn/Boston once he was discharged from the military. Most of his speaking engagements were near home (except when he went on cruises). He also talks about his dislike of flying in his autobiography I Asimov. – Jay Oct 21 '14 at 18:53

Your Answer

By clicking “Post Your Answer”, you agree to our terms of service, privacy policy and cookie policy

Not the answer you're looking for? Browse other questions tagged or ask your own question.