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The intro to Game of Thrones episodes includes a model mechanical world sprouting up buildings at Kings' Landing, Winterfell, and other key locations. Does this have any significance other than something cool to look at?

  • 2
    I myself wonder about that white tree springing up in Winterfell. Do we ever see it? – Uticensis May 16 '11 at 12:36
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    @Billare I think we saw it in the first episode. The Starks had a chat beneath it. – user1027 May 16 '11 at 14:57
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    Pretty sure that was the heart tree of Winterfell's godswood. The books explain more about the details of godswoods and heart trees, but they don't play a major part in the story (however there are hints that they may come into play later on in the series). – Beofett May 16 '11 at 16:41
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    Yes, it means that the best show ever is about to start. Dun dun, da da dun dun, da da duuuuuuuun! – Möoz Dec 7 '15 at 21:00
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    It does change depending on events that have happened. After Winterfell was sacked, for instance, the model in the intro was trashed and spewing smoke, and as the story moves in emphasis to different areas, they get shown or omitted from the sequence. – PoloHoleSet Jul 7 '16 at 14:54

12 Answers 12

67

George R. R. Martin's blog had a link recently to a site with some information about the title sequence. It includes an interview that gives some insight into the process of building the sequence.

Game of Thrones (2011), Art of the Title

To summarize:

  • The original idea was to show a map, but this was too… flat. So the artists decided to depict intricate miniatures — denoting top-notch craftsmanship as a metaphor for GRRM's writing.
  • The style evokes the kinds of miniatures that could have been built with about the technology in the story. It's as if a talented and devoted artist from the GoT world had made them.
  • The world is shown as the inside of a sphere to make the “camera” movements look better — zoom out from a location, rotate the camera, zoom into a different location, without risking showing an edge of the world.
  • The miniatures depict locations that are seen in the episode. Thus the intro sequence varies from episode to episode: it depends on the visited locations. In addition, there are minor variations in the cuts, just to introduce a little unpredictability.

They don't explain how the title music is able to lodge in your brain and linger there for days after you watch an episode though...

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    True! I love the harpsichord(?) quietly echoing the main theme after the crescendo leading to the title drop. – System Down May 16 '11 at 23:05
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    I think the relevant phrase here is "Cities and towns rise ... their mechanical growth driven by the gears of politics and the cogs of war" – johnc May 16 '11 at 23:15
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    I have heard that it will also show the House symbols of those who will play a part in this episode. So if it's a Dragon it will be about Daenerys, if it's a Wolf, it will be about House Stark, etc. etc. – rbottel May 17 '11 at 9:25
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    I also find it wonderful that they include backstory in iconic form on the rings that revolve around the »sun«. – Joey Jun 22 '11 at 19:56
  • I always thought of the intro map being the inside of a sphere as a toss back to when Old Nan told Brann that the world was all the inside of a blue-eyed giant. – Joe Apr 10 '15 at 18:20
22

One interesting thing to note, the intro changes in each episode. It shows only the aspects of the world that will be shown in that episode. Watch episode 5 intro and you will not see anything across the narrow sea in the intro, but you will see a closer view of the Eyrie.

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    Indeed, it took me a few weeks to be sure I wasn't imagining the changes. I love that it's dynamic like that. – ajk May 17 '11 at 18:58
8

If you look carefully at the center of each "city", the ruling Houses' Crest/Symbols are shown. For instance, at Winterfell, you can see the DireWolf, King's Landing has the Stag of Baratheon.

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    All the actor's names also have their character's family crest in front of their name. – Nick T Jun 14 '11 at 2:16
  • Well then it will be interesting to see how the crests during the intro change as the game progresses. – Adam Wuerl Oct 1 '11 at 0:30
6

As far as I can tell, the only point of the intro sequence is to show the viewers the map of Westeros, so that they have some idea of what happens where. I think the mechanical castles are just there to look cool.

  • I would agree with that. Many of HBO's shows have had very flashy intros (Rome, Carnivale, Deadwood, etc.), and I don't think any of them revealed much in the way of the plot. – Ryan May 16 '11 at 17:45
6

One important interpretation I made from the title sequence was that how much it makes Westeros look like a little kid's build yourself kind of puzzle. That really reinforces the concept that the whole thing is a game, with different players and locations being game pieces.

6

It appears that the title sequence was originally intended to be used as transitions to indicate the movement of the plot to different parts of the world. Unfortunately it disrupted the narrative flow too much, so they decided to use it as titles instead. Interestingly the map is on the inside of a sphere with a light source in the centre. It would be difficult to impossible to replicate this as a real world object, so it's fairly safe to assume that any design features are there to make for a more interesting visual experience rather than any plot related reason. The proportions of the map are from original maps drawn by Martin himself.

http://www.escapistmagazine.com/news/view/110202-Game-of-Thrones-Map-Sequence-Intended-for-Scene-Transitions

3

One thing I noticed about the way the titles were designed was that, when they showed the name of an actor, they put the sigil of the house of the character he/she is playing before it. For example, in front of Sean Bean we see a direwolf, in front of Mark Addy a stag, in front of Peter Dinklage a lion and so on.

3

After the Season 6 Finale we also see that the orbs and rings we see in the opening are most likely an astrolabe (aka armillary sphere, armilla, or armil).

We see the same object hanging in the Citadel at Oldtown. This can be determined by seeing the same markings on the rings.

The meaning of this is still not fully known, but there is an interesting fan theory...

"The overarching saga is called A Song Of Ice And Fire after all, and in the world of Game of Thrones songs are used to pass on heroic stories and legends. So does that mean somebody is telling this story of Dany, Jon, Arya, Cersei, and the rest to future generations?"

"If that’s how it ends, some fans might be mad about the set up of the story. But if this theory is right, does it make sense for Sam to be the one that devotes his life to passing along the heroism and cruelty of everyone in Westeros? Or could it be Sam’s son who was told the story by his father and then passes it on to his own children? If this theory is accurate, there are any number of options that would make sense. But for now it is just another theory."


Opening astrolabe GOT openining astrolabe


Citadel astroslabe citadel astrolabe citadel astrolabe close up

0

The map is clearly westeros, and all the houses and their seats, also the free cities and such, but the important is the sun, with the rings around it, it tells the story of westeros, like aegon's conquest, or roberts rebellion..

0

There is also the consideration that in Book 1 of the series, when Bran is unconscious and at the tipping point of death, he takes a metaphysical journey through the 7 kingdoms, accompanied by a three eyed raven; the narrative describes scenes extremely close to this title. Also, if you notice, there is a kind of 'blinking' during the opening sequence; I see this as a 'Dragon's-eye view of Westeros.'

0

I think the idea behind the rising and falling elements (doors, drawbridges, walls, ladders, etc.) used around the map is to emphasize the levels of complexity in the Westerosi political system. It is a complex world.

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I think the music is the actual Song of Ice and Fire. Think about it. It starts with slow, cold cello notes interspersed with fiery violins. Then the two elements dance for awhile, before reaching a climax and petering out into a harpsichord.

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    Do you have any sources to support your viewpoint? – Often Right Jun 21 '15 at 1:59

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